Gelder, K. (ed). The Horror Reader. Routledge, London. 2000.
The Fantastic.
1. Definition of the Fantastic – Tzvetan Todorov.
2. 1848: The Assault on Reason – Jose B. Monleon.
3. Phantasmagoria and the Metaphysics of Modern Reverie – Terry
Castle.
Horror and Psychoanalysis.
4. Vampires, Breast-feeding and Anxiety – Jsan Copjec.
5. Kristeva, Femininity, Abjection – Barbara Creed.
6. “In His Bold Gaze My Ruin Is Writ Large” – Slavoj
Zizek.
Monstrosities.
7. Introduction to Monstrous Imagination – Marie-Helene Huet.
8. FREAKS – Mary Russo.
9. The Serial Killer as a Type of Person – Mark Seltzer.
Many Frankensteins.
10. Production and Reproduction: the Case of FRANKENSTEIN – Paul
O’Flinn
11. Here Comes the Bride: Wedding, Gender and Race in THE BRIDE OF FRANKENSTEIN.
Reading the King Vampire.
12. Dialectic of Fear – Franco Moretti.
13. The Occidental Tourist: Dracula and the Anxiety of Reverse Colonisation
– Stephen D. Arata.
14. Vampyric Typewriting: Dracula and its Media – Jennifer Wicke.
Queer Horror.
15. Dr Jekyll’s Closet – Elaine Showlater.
16. Tracking the Vampire – Sue-Ellen Case.
17. Female Spectator, Lesbian Spectre: THE HAUNTING – Patricia White.
Ethnic Monsters.
18. Vampires in Greece – Ken Gelder.
19. KING KONG and the Monster in Ethnographic Cinema – Fatimah Tobing
Rony.
American Gothic.
20. Introduction to American Horrors – Gregory A. Waller.
21. Introduction to American Gothic – Teresa A. Goddu.
Reading Splatter/Slasher Cinema.
22. Horrality – The Textuality of Contemporary Horror Films –
Philip Brophy.
23. The Terror of Pleasure: the Contemporary Horror film and Postmodern
Theory – Tania Modleski.
24. Her body, Himself – Carol J. Clover.
Low Brow/Low Budget Horror.
25. The Horror Film Fanzine – David Sanjek.
26. A (Sadistic) Night at the Opera: Notes on the Italian Horror Film
– Leon Hunt.
27. Revenge of the LEECH WOMAN: On the Dread of Ageing in a Low Budget
Horror film.
New Regional Horror.
28. Ghost Stories, Bone Flutes, Cannibal Countermemory – Graham
Huggan.
29. Preposterous Hong Kong Horror: ROUGE’s (Be)hindsight and A (Sodomical)
CHINESE GHOST STORY – Audrey Yue.